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Spring 2008 Volume 32 #3
Table of Contents
Beauty+Function: Ugandan Makeka by Lesli H. Robertson
Wilderness Underfoot: Amy Helfand Rugs by Jaqueline Ruyak
Students Clients Weavers: Interview with Layne Goldsmith
Patricia Dreher: Paintings for the Floor by Teliha Draheim
Seen From Above by Heldreth York
Dirty Beauty by Jessia Hemmings
Jo Stealey by Kristin Schwain
Creative promise Awards
Talking to Myself, A Live in Ruins by Douglas Dawson
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Winter 2008 Volume 32#2
Table of Contents:
Catherine Ellis:Innovative Cloth Constructions by Bhakti Ziek
Sherri Smith: Science as Inspiration by Marion T. Marzolf
Image, Structure, and Emotion: Lia Cook's Recent Work by Suzanne Bazerman
Lissa Hunter: Finding Her Truth by Stuart Kestenbaum
Joan Livingstone: Corporeal Dynamics by Polly Ullirich
Gail Resen: Patterning Light by Barbara Mayer
Yvonne Morton: A Dorset/Congo Connection by Ian Wilson
Kim Kamens: String to the Nth Degree by Jacqueline Ruyak
Mind + Body: Reflections by Jan Myers-Newbury
Mind + Body: Transgressions & Transformations by Leesa Hubbell
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Fall 2007 Volume 32 #1
Table of Contents for Batik and Rozome
Shifting Tradition:Forging a New Direction in Batik by Linda Kaun
Malaysian Batik in the USA by Leesa Hubbell
Soy Wax: The Greening of Batik by Dorothy Bunny Bowen
Tradition as Creative Catalyst: The Work of Joachim Blank by Peter Wenger
Dreamlike Images from Latvia by Beatrus Sterk
Yinka Shonibare: Post-Cultural Hybrid by Jessica Hemmings
The Lens of Rozome: Two Painterly Visions by Betsy Sterling Benjamin
Material Witness: Silken Surfaces in Wax by Joanne Mattera
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Summer 2007 Volume 31 #4
Table of Contents for New Techniques & New Materials:
Tradition, Technology & NUNO by Jessica Hemmings
Glid the Lily: Color at the Edge by Leslie Clark
Norma Starszakowna: Unceasing Innovation by Mary Schoeser
Mary Stieglitz: Coming Full Circle by Ingrid Lilligren
Heather McGill:Formal Magnetism by Gerry Craig
Hollie Heller's Mixed Media by Hildreth York
Needle & Thread: Old tools, New Magic by Barbara Lee Smith
Eunsook Lee Interview with Chunghie Lee
The Girl with the Hat by Robert Godfrey
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Spring 2007 Volume 31 #3
Table of Contents:
Dressing Objects: Addressing Our Longings by Jerry Bleem
Wrapping the Torah by Bonnie Epstein
Homily in Cloth: A Southern Thai Funerary Textile by Kathleen Forance Johnson
Jan-Ru Wan: the Power of Thread by Michele Natale
Kihyang Lee: Dharma and Design by Jacqueline Ruyak
Industrial Felt, Animal Fur, and Meditative Practice by Ginger Knowlton
Mariel Clarmont's Miniature Cosmos by Jessica Hemmings
Tessa Windt: Covering Absence by Jacqueline Ruyak
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Winter 2007 Volume 31 #2
Editorials
Mind Body
Table of Contents:
A Creative Life by Susan Brandeis
Lewis Knauss: Recording Sites & Seasons by Kathleen McCann
Nancy Belfer: The Riches of Process by Manya Fabinak
Lesley Dill: Words that Hang in the Air by Jaqueline Ruyak
Caroline Broadhead: The Interrupted Gaze by Jessica
Hemmings
The Disrupting Fashion of J. Morgan Puett by Leesa Hubbell
Barbara Watler: Unitfying Diversity by Barbara O'Keefe
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Fall 2006 Volume 31 #1
Editorials
Table of Contents:
Photography and Fabric by Mary Stieglitz
Cyanotype: Picturing the World in Blue by Patricia Malarcher
Clare Verstegen: Measured Accumulation by Bhakti Ziek
Michael James: Interference and Innovation by Glen R. Brown
Arle Skler-Weinstein/Interview
The Inket Printer as Versitile Tool by Jeanne Raffer beck
Suspension of the Temporal: Ruth McCorrison by Ginger Knowlton
Kori Newkirk: Painter without Paint by Jessica Hemmings
Captured Light: Max Streitcher's Figurescapes by J. Lynn Fraser
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Gallery Issue Sept. 2006 Volume 30 #5
Editorials
A special extra issue showcasing member work, juried by Suzanne Baizerman, Joan Schulze, and Jo Ann C. Stabb, guest editor Jo Ann C. Stabb, "Breaking New Ground" essay by Suzanne Baizerman. Over 103 photos of work plus details.
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Summer 2006 Volume 30 #4
Editorials
Table of Contents:
Sign Post to a New Space by Patricia Malarcher
Interview: Mary Schoeser by Patricia Malarcher
Museum Interventions by Jessica Hemmings
Matthew Harris: Working the Surface by Ian Wilson
Audrey Walker: The Textured Figure by Barbara Lee Smith
Pauline Burbidge: Re-Inventing the Quilt by Jan Myers-Newbury
Driven by Color: Pat Hodson's Fusion of Technologies by Patricia Malarcher
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Spring 2006 Volume 30 #3
Editorials
Editorials
Table of Contents:
The Fabric Workshop by Kathleen McCann
Screenprinted Wallpaper in the 1950's and Early '60s by Joyce Storey
Piper Shepard: Ornament as Architecture by J. Susan Isaacs
Improvisational Screenprinting by Jane Dunnewold
Joy Stocksdale: Making an Impression by Susanne Smith Arney
Kerr Grabowski: Telling Stories on Cloth by Jeanne Raffer Beck
Lauren Camp: Sounds and Color by jacqueline Ruyak
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Winter 2006 Vol. 30 #2
Editorials
Interior Surfaces
Editorials:Inside / Outside: New (No) Boundaries
Table of Contents: Jack Lenor Larson: Creator and Collector by Patricia Malarcher Extreme Textiles by Lois Lunin Stone Quilts by Rith Mary Pollack Floored by Hildreth York Industrial Textiles by Anais Missakian Small Studios, Big Ideas by Teliha Draheim Silk That Warms an Icy Land by Barbara Wysocki The Echo of Flora Exotica by Bhakti Ziek Uncovering the Surface by Jeanne Raffer Beck
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Fall 2005 Vol. 30 #1
Editorials
Machine Embroidery
Editorials:Machine Embroidery
Table of Contents: Interview: Barbara Lee Smith by Patricia Malarcher Trompe L'oeil with a Twist by Bonnie Lee Holland Greek Myths by Jessica Hemmings Tetsuo Fujimoto by Glen Kaufman Michael Brennand-Wood by Ian Wilson Reflections on My Embroidery by Louise Lemieux Berube Off the Wall: Sculptural Embroidery by Jeanne Raffer Beck Lola of San Francisco by Patricia Malarcher
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Summer 2005 Vol. 29 #4
Editorials
Metalic Surfaces
Editorials:Metalic Surfaces: Gold Into Straw?
Table of Contents: Wired for Art by Jacqueline Ruyak Wry Wire Acts by Karen Searle Enlivening Wire by Reina Mia Brill Construction Crochet: Tracy Krumm by Aline Brandauer Magic Realism: Carolyn Kallenborn by Michele Fricke Metalmorphois: Joanna Stanizkis by Sheila Martineau Golden Handcuffs by Leesa Hubbell El Anatsui: Forging Fabrics of Tin by Jessica Hemmings Mary Babcock: Interview by Patricia Malarcher
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Spring 2005 Volume 29-3
Editorials
On and About the Body
Editorials:The Body: Subject and Object
Table of Contents: Sheer Artistry: Conference Report by Patricia Malarcher Pineda-Covalin: Translating Tradition by Pamela Scheinman Jane Sisco: Seizing the Moment by Leesa Hubbell Marian Clayden's Magic by Inez Brooks-Myers Body Language: Kate Kretz's Psychological Clothing by Janice T. Paine Crossing the Line: Wearable to Unwearable by Nisha Drinkard Susan Etcoff Fraerman: The Narrative Shoe by Michele Fricke Aprons: Expressions of Hope and Grace by Jeanne Raffer Beck Susan Stockwell: Revisiting the Colonial Project by Jessica Hemmings The Last Word by Mia Capodilupo
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Winter 2005 Volume 29-2
Editorials
Uncovering the Surface
Editorials:Uncovering the Surface
Table of Contents: Patterns in the Psyche and Natural World by Michael Conforti Bhutan: A Step Back in Time by Estelle Carlson Elizabeth Billings: Updating Ikat by Bhakti Ziek Dorothy Caldwell: In Good Repair by Jennifer Angus Anna Von Mertens: Conceptual Craft by Jessica Hemmings Amy Orr: Exploring Excess by Robin Rice The Presence of Absence by Barbara Lee Smith The Terrifying Beauties of Martianne Lovink by J. Lynn Fraser
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Fall 2004 Volume 29-1
Editorials
heme: Social Conscience
Editorials:Creating a Difference
Table of Contents: Matching Makers with Marketplaces by Patricia Malarcher With a Clear Conscience by Jo Ann C. Stabb Where Art and Healing Meet by Ginny O'Brien Lohr Weaving Politics: Consuelo Jimenez Underwood by Tere Romo Tom Fruin's "Flags" by Sandra Sider A Bridge Between Britain and Japan by Jessica Hemmings An Avenue of Silk by Ian Wilson Patterning the News by Layne Goldsmith and Sheila Ruen
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Summer 2004
Editorials
Theme: Materiality
Editorials:Impact
Table of Contents: Defining Materiality: Interview with Dennis Doordan by Michele Fricke Material as Muse by Patricia Malarcher Patina of Cloth by Lois Martin Making Do/Making Art by Wendy Lugg Interpreting Ireland in Thread by Kathleen McCann Patience as Process by Jan Myers-Newbury Polly Stirling: Contemporary Feltmaker by Bhakti Ziek Jorie Johnson: Felt as Matrix by Jacqueline Ruyak Post-Digital Textiles by Susan Brandeis
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Spring 2004
Editorials
Theme: Discharge
Editorials: Impact
Table of Contents: From Alchemy to Polka Dots by Jay Rich Designing for Discharge by Karren K. Brito More than Subtraction by Jo Ann C. Stabb Clare Plug: Rhythms and Reflections on a Place by Sarah E. Tucker Deep in the Surface by Kate Dobbs Ariail Interview: Bob Adams by Patricia Malarcher Aviva Stanoff: Chasing a Dream of a Design Empire by Leesa Hubbell
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Winter 2004 Volume 28-2
Editorials
Theme: Pushing the Edge
Editorials:Impact
Table of Contents: Stirring the Mix By Leesa Hubbell Marilyn Henrion: On Building Careers by Patricia Malarcher Ptolomy Mann's Chromatric Minimalism by Ian Wilson Michelle Newman: Outreach Unlimited by Marcia Weser Designing Fabric to Inspire Others by Hilary Gifford The Invisible Hand of Raylene Marasco by Leesa Hibbell Daegu Diary: Fusing Sports and Fashion by Patricia Malarcher
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Fall 2003 Volume 28-1
Editorials
Theme: Pushing the Edge
Editorials:The Moving Edge
Table of Contents: Digital Dialogues by Warren Seelig Expanding the Digital Edges by Susan Strawn West Meets East by Elaine Polvinen Materialized Resonance by Polly Ullrich Mirja Puppel by Jessica Hemmings Seductive Surfaces by Hildreth York Emerging: Sooran Youn by Pat Hickman
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Summer 2003 Volume 27-4
Editorials
Theme: Creative Process
Editorials:The Creative Process: Plays the Thing
Table of Contents: Journaling and My Creative Process by Heather Allen Challenge & Limitation by Chunghie Lee Creating Abundance by Bonnie Ayers Namkung The Curator as Creator by Michele Fricke Volumes of Joy and Delight by Barbara Valenta Breaking New Ground With Clay by jean Schulman Animal Magnetism by leesa Hubbell The Art of Creative Marketing by Teliha Draheim
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Spring 2003 Volume 27-3
Editorials
Theme: Beaded Surfaces
Editorials:The Beading Impulse: Let There Be Light
Table of Contents: The Maturing of a Medium By Vallerie Hector The Challenges of 3-D Beadwork by Wendy Ellsworth Laura Willits' Night Music by Barbara Lee Smith Jon Eric Riis: Play with Boundaries by Marina D. Whitman The Strength of Beauty by Elaine Lipson The Beaded Prayer Project by Patricia Malarcher Bead Design in the Digital Age By Leslie Rogalski
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Fall 2001 Volume 26-1
Editorials
Theme: Weaving
Editorials:The Woven Imperative
How could we ever imagine that surface design is separate from weaving? Unlike the painter¹s canvas that supports the image without affecting its appearance, the woven cloth dipped in dye directly affects the color quality. Surface design applied to threads prior to weaving becomes integral to the fabric. Further, the structure created through the process of weaving has its own surface character. And processes like devoré are only possible because of variations in the character of threads woven into cloth. Yet, rarely do we focus on weaving itself as an aspect of surface design.
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Fall 2000 Volume 25-1
Editorials
Theme: European Textiles
Editorials:European Textiles
The State of Fiber in Europe / Beatrijs Sterk Katarína Zavarská / Jacqueline Ruyak All Together Now / Mary Schoeser Images of Thread: Marie-Hélène Guelton / Virginia Davis Annet Couwenberg: Emblems of Containment / J. Susan Isaacs Focus on Fiber: Reflections on the Venice Biennale/ Lois Lunin
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